Film making and catching the invisible
With Aristofanis Soulikias and Nadine Gomez
curated by Daniela Veneri
Above, from left to right: (1) Aristofanis Soulikias, Production still from Last Dance on the Main, 2014; (2) Nadine Gomez, Exarcheia, Still, 2018; (3) Aristofanis Soulikias, Still from Last Dance on the Main, 2014; (4, 5) Aristofanis Soulikias, Production still and still from In the Shadow of Mount Damavand, 2017; (6) Aristofanis Soulikias, Sketch for Lisbon project, 2019; (7) Nadine Gomez, Exarcheia, Still, 2018; (8) Nadine Gomez, Metro, Still, 2015; (9) Nadine Gomez, As Night Descends, Still, 2020.
#relevance #physicalpresence #cityatmosphere #pleasureofmaking #imaginingthroughtraces #feelingplace #awareness #disposition #perspective #creating #socialawareness
Aristofanis Soulikias and Nadine Gomez have different ways of making films. Their precious contributions to this research project offer unique views on what it means to make films today. Between shooting and handmade film animation, these two interviews show different sensitivities towards our ways to live cities and connect with our lived experiences, and they both tell of a strong vital force that digs into humanity and into the collective dimension of the spaces we share.